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艺术家
未知Unknown author
描述
English: Seated Buddha, probably Amitabha (Amituo). Buddhist images executed in dry lacquer were highly valued by the Chinese because of their costly and time-consuming process of production. There are so few surviving examples that this seated Buddha is especially precious. To fashion the body of the image, the craftsman made a rough form of the sculpture in clay and then applied at least three layers of hemp cloth, each secured with a paste made of raw lacquer (the sap from the lac tree, Rhus verniciflua) and a fine powder of bone, horn, shell, ceramic, stone, or carbon. Each layer had to dry thoroughly before the next could be added. The clay core was then removed from the lacquered image. The head and hands were likely modeled separately, using the same technique as that used for the body, and then attached to the sculpture. The surface was finished with several coatings of pure lacquer and then painted. Portrayed as a youthful figure, the Buddha sits in the full lotus position, with his legs tightly interlocked, though the lower part of the sculpture is missing. The position of the damaged arms suggests that the hands performed the "contemplation" gesture. The columnar form and lean gracefulness of the figure recall the style of Buddhist sculptures of the late Six Dynasties, but the attempt to render anatomical differentiation and, in particular, the emotional impact of the Buddha's expression are distinguishing features of early Tang style. The traces of brilliant red and blue, vividly combined to form a stylized floral pattern in the hem of the undergarment crossing the chest, and the remains of shimmering gilt on the surface are evidence of the sumptuous effect of this once colorful figure.
日期 early 7世纪
date QS:P571,+650-00-00T00:00:00Z/7
(Tang Dynasty)
表现形式
English: hollow dry lacquer with polychrome pigment and gilding
尺寸 96.5×68.6×57.1厘米
institution QS:P195,Q160236
登录号
Rogers Fund, 1919 (19.186).
创作地点 Hebei, 中國
参考 http://ifacontemporary.wordpress.com/2012/02/08/professor-stanley-abe-the-modern-moment-of-chinese-sculpture-at-the-ifa/
来源/摄影师 https://www.flickr.com/photos/rosemania/86745965/in/set-72057594048518296/, Photograph by Rosemania
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此张图片原发布于Flickr,在2008年9月18日由管理员审查员SterkeBak检查后,确认检查时图片在Flickr的版权声明与维基共享资源的版权使用方针相符。
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当前2017年7月19日 (三) 15:042017年7月19日 (三) 15:04版本的缩略图1,199 × 1,347(651 KB)JohnbodCropped 20 % horizontally and 33 % vertically using CropTool with lossless mode.
2007年1月19日 (五) 02:372007年1月19日 (五) 02:37版本的缩略图1,493 × 2,016(961 KB)Sandrog~commonswikiFrom Hebei, Tang Dynasty. The MET Seated Buddha, Tang dynasty, ca. 650 China Dry lacquer with traces of gilt and polychrome pigments; H. 38 in. (96.5 cm); W. 27 in. (68.6 cm) Rogers Fund, 1919 (19.186) Buddhist images executed in dry lacquer were hi

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